Snowcake - a Movie Review
August 7th 2007 03:44
I have never been in awe of Sigourney Weaver's acting ability or her fatal beauty. Rather I have been prone to find both qualities somewhat underwhelming. Rarely have I seen her on the screen in any role which I did not find either brashly overdone or entirely forgettable. That said, when she does make a splash, it's worth sitting up and paying attention, and the recent Australian release of the movie Snowcake is a perfect example.
When first you read the description of this movie's plot: "A drama focused on the friendship between a high-functioning autistic woman (Weaver) and a man (Rickman) who is traumatized after a fatal car accident." [IMDB] you will not be compelled to see this movie. Naturally the presence of Alan Rickman is comforting. His two leading ladies, however, are enough to give you pause.
Sigourney Weaver and Carrie Anne Moss are instantly recogniseable - however, neither is what anyone would consider an "important" actress. Moss, made famous by the Matrix trilogy, has been starved for a critical success ever since. Supporting roles in Chocolat and The Chumscrubber aside, she is not where casting directors run when a character actress is needed.
Weaver is in worse straights still, having officially fallen victim to the "older actress" syndrome that thrives so consistantly like a rare disease amongst Hollywood's leading ladies, knocking them into the background obscurity of B-movies and cameos.
Snowcake is a glittering diversion from her career of late - a string of forgettable roles and even more forgettable performances.
Playing a high-functioning autistic woman, Weaver's performance is pure gold, and just why she was not nominated for SOMETHING is a concept I am presently struggling with. This is unquestionably one of the finest performances of her career - or ANY career for that matter - and extremely worthy of recognition.
Snowcake itself, is somewhat slow and at moments quite tepid. The story of a British ex-convict (magnificently portrayed by Alan Rickman) who finds himself in different company when he picks up hitchhiker Vivienne (brilliant "newcomer" Emily Hampshire) - an eccentric girl on her way home - Snowcake is a movie designed to deal beyond the superficial. As such it often becomes weighed down by its own subject matter.
The introduction of Linda Hunt (Weaver) is the antidote for what ails the plot. Rickman's character is left reeling after Vivienne dies in a car accident (in his car!) and finds he must travel to visit her mother in order to deal with the inexplicable emotion he feels at the loss of this vibrant stranger.
The mother that he finds is hardly typical. Talking nineteen to the dozen, twitching and brimming with eccentricities, Linda Hunt is a charmer and Sigourney Weaver is to be congratulated for recognising the potential of this otherwise somewhat sticky role. Moreover we are indebted to her for bringing it to life with such tenderness, humour, respect and warmth.
With Carrie Anne Moss thrown in for good measure as Rickman's love interest, and an interesting set of locals to surround the trio, Snowcake progresses slowly, in no particular direction, but even so it's fun to watch.
Naturally by the end Rickman's character is healed and has formed a special (though supremely different) bond with both of the women brought into his life by the death of the stranger Vivienne, and the ethics of the conservative Canadian town in which the whole "Inspiring" muddle is set have been tested to their limits.
All in all the production is little more than a curio - take tissues - but even so it's impossible not to be delighted by it.
Not for the average cinema-goer, this movie requires dedicated viewers, who don't mind a meandering plot and lots of "chick chat". If you happen to like Alan Rickman or Sigourney Weaver that will help too.
I can only express admiration for Weaver once more, along with my disgust that her remarkable performance was not recognised somewhere. Hopefully this is only a question of release dates (officially Snowcake was only released in the US in April of this year) and one of Hollywood's many many many cinematic award societies will put her on their lists of nominees.
In the meantime, watch this space. Another Sigourney Weaver movie is also generating Oscar buzz in the US at present - a comedy named The TV Set. Though there is no confirmed Australian release date, a review will follow shortly.
Sigourney Weaver and Carrie Anne Moss are instantly recogniseable - however, neither is what anyone would consider an "important" actress. Moss, made famous by the Matrix trilogy, has been starved for a critical success ever since. Supporting roles in Chocolat and The Chumscrubber aside, she is not where casting directors run when a character actress is needed.
Snowcake is a glittering diversion from her career of late - a string of forgettable roles and even more forgettable performances.
Playing a high-functioning autistic woman, Weaver's performance is pure gold, and just why she was not nominated for SOMETHING is a concept I am presently struggling with. This is unquestionably one of the finest performances of her career - or ANY career for that matter - and extremely worthy of recognition.
Snowcake itself, is somewhat slow and at moments quite tepid. The story of a British ex-convict (magnificently portrayed by Alan Rickman) who finds himself in different company when he picks up hitchhiker Vivienne (brilliant "newcomer" Emily Hampshire) - an eccentric girl on her way home - Snowcake is a movie designed to deal beyond the superficial. As such it often becomes weighed down by its own subject matter.
The introduction of Linda Hunt (Weaver) is the antidote for what ails the plot. Rickman's character is left reeling after Vivienne dies in a car accident (in his car!) and finds he must travel to visit her mother in order to deal with the inexplicable emotion he feels at the loss of this vibrant stranger.
The mother that he finds is hardly typical. Talking nineteen to the dozen, twitching and brimming with eccentricities, Linda Hunt is a charmer and Sigourney Weaver is to be congratulated for recognising the potential of this otherwise somewhat sticky role. Moreover we are indebted to her for bringing it to life with such tenderness, humour, respect and warmth.
With Carrie Anne Moss thrown in for good measure as Rickman's love interest, and an interesting set of locals to surround the trio, Snowcake progresses slowly, in no particular direction, but even so it's fun to watch.
Naturally by the end Rickman's character is healed and has formed a special (though supremely different) bond with both of the women brought into his life by the death of the stranger Vivienne, and the ethics of the conservative Canadian town in which the whole "Inspiring" muddle is set have been tested to their limits.
All in all the production is little more than a curio - take tissues - but even so it's impossible not to be delighted by it.
Not for the average cinema-goer, this movie requires dedicated viewers, who don't mind a meandering plot and lots of "chick chat". If you happen to like Alan Rickman or Sigourney Weaver that will help too.
I can only express admiration for Weaver once more, along with my disgust that her remarkable performance was not recognised somewhere. Hopefully this is only a question of release dates (officially Snowcake was only released in the US in April of this year) and one of Hollywood's many many many cinematic award societies will put her on their lists of nominees.
In the meantime, watch this space. Another Sigourney Weaver movie is also generating Oscar buzz in the US at present - a comedy named The TV Set. Though there is no confirmed Australian release date, a review will follow shortly.
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